A model strikes a pose against a coral paper backdrop in a photo studio, lights and reflectors around her.

Illustrative imagery

Retail & commerce20242–4 months

A season shipped in days, not weeks

Client: A fashion and lifestyle retailer

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  • Campaign & Content Design
  • AI Design
  • Brand Design

At a glance

The brief. Take a season from six weeks and three agencies down to days.

Client
A fashion and lifestyle retailer
Year
2024
Duration
2–4 months
Scale
Every channel and size

Picture story

On set and on the rail. One shoot, every crop.

The pictures on this page are illustrative: licensed stock photography and code-built mock-ups chosen to show the setting, not the client’s own work. Credits are at the foot of the page.

A photographer crouches to shoot a model in a black catsuit on a white studio set while a videographer films.
Fig. 01One shoot, one approved key visual.Lana Mattice on Unsplash (opens in a new tab)
Printed fashion photographs scattered across a perforated table as a moodboard.
Fig. 02Art direction fixed before the first variant.Harper Sunday on Unsplash (opens in a new tab)
A photographer in black frames a shot through a camera in a dim studio.
Fig. 03Masters shot for every crop the channels need.Szabo Viktor on Unsplash (opens in a new tab)
A rail of knitwear and coats in cream, rust, camel and grey.
Fig. 04The season’s range, ready for every format.Priscilla Du Preez on Unsplash (opens in a new tab)

On screen

Every size from one master. Checked before anyone signs off.

Illustrative screens, built in code to show the kind of screen the programme produced — not the client’s own. Open any of them full screen.

Illustration: a tablet showing one key visual adapted into a grid of channel sizes, each marked as passing the brand check, one flagged for a person to review.
TabletOne key visual, every size — checked before anyone signs off.
Illustration: a phone showing the campaign as a vertical story format with the season line and a shop button.
PhoneThe vertical story format, generated from the same master.

From brief to result

One key visual, every format. How the pipeline was built.

The brief in full, how we approached it, what we built and what it set out to change.

The brief, in full

Every season meant six weeks and three agencies: one shot the key visuals, one resized them for every channel, one adapted them for each market. A small change rippled through all three, and the last formats went live after the season had started.

The brief: take a season from weeks to days without loosening the brand.

Our approach

We designed the campaign as a system: master layouts, type and colour rules, and the exceptions written down. Variants for each channel and size are generated from one approved key visual and checked against the rules before a person signs them off.

The generative step is constrained — it adapts layout and crop; it does not invent product imagery — and every output keeps its source and its approval on record.

How it ran

  1. Weeks 1–4Masters

    Master layouts for each format family, with the rules that govern them.

  2. Weeks 3–8Pipeline

    Variant generation from one key visual, with brand checks on every output.

  3. Weeks 6–10Specs

    Delivery specifications for every channel, agreed before the first season.

  4. Months 3–4First season

    One season run end to end, with a person approving every variant.

What we built

A campaign system of master layouts and rules; variants for every channel and size generate from one approved key visual and pass a brand check before a person signs off.

What it left behind

  1. Campaign master templates
  2. Variant generation pipeline
  3. Brand-check rules
  4. Channel delivery specs

What changed

The pipeline is set up so a season starts from one approved key visual, with channel and size variants produced and checked in the pipeline, and people reviewing the exceptions rather than every file.

The measures below compare each season with the last. Figures are published only with the client’s approval.

How it is measured

Brand kit

Coral for the season. Ink and sand for everything else.

The colours with their roles, share of use and contrast, and the typefaces with their jobs. Press a colour to copy its code.

Colour

  • Ink #141414

    Type

    On white
    18.4:1 AAA
    On near-black
    1.1:1 Fails
  • Sand #F2E8DF

    Grounds

    On white
    1.2:1 Fails
    On near-black
    14.5:1 AAA
  • Coral #E86A5B

    The season colour

    On white
    3.2:1 AA large
    On near-black
    5.5:1 AA
  • Night #2E4A62

    Secondary

    On white
    9.2:1 AAA
    On near-black
    1.9:1 Fails
  • Saffron #F2B630

    Price and offer flags

    On white
    1.8:1 Fails
    On near-black
    9.6:1 AAA
Share of use Ink 30%, Sand 30%, Coral 20%, Night 12%, Saffron 8%

Type

  • DisplayBold 700

    A condensed grotesque

    The new season starts here.

  • TextRegular 400Medium 500

    A geometric sans

    Linen, cotton and wool for the warmer months.

Specimens are set in this site’s own typefaces as stand-ins; each card names the project’s family.

Outcomes

Judged season against season. Speed, cost and rework.

What each measure is compared with, when it is read and who reports it — and the results, once the client approves them.

The measurement plan

  1. Time from key visual to full rollout

    Compared with
    The last season produced the old way
    Read
    Each season, at launch
    Result
    Awaiting approval Reported by The client’s production manager
  2. Cost per delivered asset

    Compared with
    Agency costs for the season before
    Read
    Each season, at close
    Result
    Awaiting approval Reported by The client’s finance team
  3. Assets returned for rework

    Compared with
    Rework requests logged the season before
    Read
    Each season
    Result
    Awaiting approval Reported by The creative director

Results

Figures pending client approval

We publish results only with the client’s written approval. Until then, the plan beside this is what the programme is judged on, and we can walk you through it under NDA.

Credits

The team and the pictures.

People are named only with their agreement.

Team 5 people

  • Creative director × 1
  • Designers × 2
  • Creative technologist × 1
  • Production manager × 1

Credits

Strategy, design and engineering
Xterra Edze
Screens and before-and-after views
Xterra Edze (code-built illustrations)
Photography
Licensed stock from Unsplash, credited picture by picture

Pictures 7

Licensed stock photography and code-built mock-ups, chosen to show the setting — not the client’s own work.

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